Film and revolution /
by MacBean, James Roy.
Type:
BookSeries: Midland books: Publisher: Bloomington : Indiana University Press, ©1975Description: viii, 339 pages : illustrations ; 29 cm.ISBN: 0253321891; 0253201918 (pbk.); ; 9780253321893; 9780253201911.Subject(s): Motion picture scripts -- History and criticism | Politics in motion pictures | Revolutions in motion pictures | Moving pictures, European -- Political aspects | Communism and motion pictures | Motion pictures -- Political aspects | Motion pictures -- Political aspects | Film | Revolution | Cinéma - Aspect politique | Film | Revolution | Communism and motion pictures | Cinéma -- Aspect politique | REVOLUTIONARY THEMES IN FILMS | MARXISM AND THE CINEMA | REVOLUTION AND THE CINEMA | GORIN, JEAN-PIERRE | GODARD, JEAN-LUC | METZ, CHRISTIAN | VERTOV, DZIGA | WEEK-END (FR/IT, Jean-Luc Godard, 1968) | VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) | TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) | HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) | PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966) | WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) | CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971) | [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) | CHINOISE, LA (FR, Jean-Luc Godard, 1967) | MADE IN THE U.S.A. (FR, Jean-Luc Godard, 1966) | ICE (US, Robert Kramer, 1970) | CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971) | LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972) | GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) | BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) | ONE PLUS ONE (UK, Jean-Luc Godard, 1968) | European cinema films Political aspects
Contents:
Part one : Godard / Gorin : rethinking the function of art in society -- Politics and poetry in Two or three things I know about her and La chinoise -- Politics, poetry, and the language of signs in Made in USA -- Weekend, or the self-critical cinema of cruelty -- Le gai savoir : critique plus auto-critique du critique -- One plus one, or the praxis of history -- "See you at Mao" : Godard's revolutionary British sounds -- Godard and Rocha at the crossroads of Wind from the east -- Godard/Gorin/the Dziga Vertov group : film and dialectics in Pravda, Struggle in Italy, and Vladimir and Rosa -- Tout va bien and Letter to Jane : the role of the intellectual in the revolution -- Part two : Film and revolution on many fronts -- La hora de los hornos : "Let them see nothing but flames!" -- The Ice-man cometh no more : he gave his balls to the revolution -- Rossellini's materialist mise-en-scene of La prise de pouvoir pas Louis XIV -- Sex and politics : Wilhelm Reich, world revolution, and Makavejev's WR : the mysteries of the organism -- The sorrow and the pity : France and her political myths -- The working class goes directly to heagven, without passing go : or, the name of the game is still monopoly -- Part three : Post-Bazin aesthetics : the theory and practice of Marxist film criticism -- Contra semiology: a critical reading of Metz -- The ideological situation of post-Bazin film criticism.
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Includes bibliographical references and index.
Includes bibliographical references and index.
Part one : Godard / Gorin : rethinking the function of art in society -- Politics and poetry in Two or three things I know about her and La chinoise -- Politics, poetry, and the language of signs in Made in USA -- Weekend, or the self-critical cinema of cruelty -- Le gai savoir : critique plus auto-critique du critique -- One plus one, or the praxis of history -- "See you at Mao" : Godard's revolutionary British sounds -- Godard and Rocha at the crossroads of Wind from the east -- Godard/Gorin/the Dziga Vertov group : film and dialectics in Pravda, Struggle in Italy, and Vladimir and Rosa -- Tout va bien and Letter to Jane : the role of the intellectual in the revolution -- Part two : Film and revolution on many fronts -- La hora de los hornos : "Let them see nothing but flames!" -- The Ice-man cometh no more : he gave his balls to the revolution -- Rossellini's materialist mise-en-scene of La prise de pouvoir pas Louis XIV -- Sex and politics : Wilhelm Reich, world revolution, and Makavejev's WR : the mysteries of the organism -- The sorrow and the pity : France and her political myths -- The working class goes directly to heagven, without passing go : or, the name of the game is still monopoly -- Part three : Post-Bazin aesthetics : the theory and practice of Marxist film criticism -- Contra semiology: a critical reading of Metz -- The ideological situation of post-Bazin film criticism.
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