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Dutch painting 1600-1800 /

by Slive, Seymour; Rosenberg, Jakob.
Type: materialTypeLabelBookSeries: Yale University Press Pelican history of art: Publisher: New Haven, Conn. : Yale University Press, c1995Edition: Rev. and expanded / by Seymour Slive.Description: vi, 378 p. : ill. (some col.) ; 30 cm.ISBN: 0300064187 (hardcover); 0300074514 (pbk).Subject(s): Art, Modern -- 17th-18th centuries -- Netherlands | Painting, Modern -- 17th-18th centuries -- Netherlands | Painting, Dutch | Painting, Modern -- 17th century -- Netherlands | Painting, Modern -- 18th century -- Netherlands | Painting, Dutch -- 17th century | Painting, Dutch -- 18th centurySummary: Dutch painting in its prime is one of the great achievements in the history of art. Painters described their life and their environment, their country and their city sights so thoroughly that their work seems to provide a nearly complete pictorial record of Dutch culture. This book explores all the aspects of a truly creative period when sureness of instinct and quality of performance held a safe balance. The work of the great masters - including Rembrandt, Hals, Vermeer, Ruisdael - and their impact on others are analyzed and set in the context of a period when government, religion and social structures were all reestablishing themselves after significant changes. Slive discusses the kinds of painting that became Dutch specialities: genre scenes, landscape, marines and still lifes, portraiture and architectural painting, as well as examining patronage, trends in art theory and criticism, and collecting.
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"Some sections of this book were previously published as parts one and two of Dutch art and architecture: 1600-1800 by Penguin Books Ltd., 1966"--T.p. verso.

Includes bibliographical references (p. 339-3640 and index.

Dutch painting in its prime is one of the great achievements in the history of art. Painters described their life and their environment, their country and their city sights so thoroughly that their work seems to provide a nearly complete pictorial record of Dutch culture. This book explores all the aspects of a truly creative period when sureness of instinct and quality of performance held a safe balance. The work of the great masters - including Rembrandt, Hals, Vermeer, Ruisdael - and their impact on others are analyzed and set in the context of a period when government, religion and social structures were all reestablishing themselves after significant changes. Slive discusses the kinds of painting that became Dutch specialities: genre scenes, landscape, marines and still lifes, portraiture and architectural painting, as well as examining patronage, trends in art theory and criticism, and collecting.

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