|Item type||Location||Collection||Call number||Copy||Status||Date due||Barcode||Item holds|
|Book||Main library||Non-fiction||HI AND 1999 (Browse shelf)||1||Available||2014-2616|
Includes bibliographical references and index.
1. Land into landscape -- (pages 1-24) 2. Subject or setting?: Landscape and Renaissance painting -- (pages 25-52) 3. Landscape as amenity -- (pages 53-76) 4. Topography and the beau ideal -- (pages 77-106) 5. Framing the view -- (pages 107-128) 6. 'Astonished beyond expression': Landscape, the Sublime, and the unpresentable -- (pages 129-150) 7. Landscape and politics -- (pages 151- 176) 8. Nature as picture or process? -- (pages 177-200) 9. Landscape into land: earth works, art, and environment (pages 201-223).
What is landscape? How does it differ from "land"? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is "nature"? Is it everything that isn't art, or artifact? By addressing these and many other questions, Landscape and Western Art explores the myriad ideas and images of the natural world in Western art since the Renaissance. Implying that land is the raw material, and that art is created by turning land into landscape, which then becomes art, author Malcolm Andrews takes the reader on a thematic tour of the fascinating and challenging issues of landscape as art. The books broad sweep covers the full, rich spectrum of landscape art, including painting, gardening, panorama, poetry, photography, and art. Artistic issues are investigated in connection with Western cultural movements, and within a full international and historical context.