|Item type||Location||Collection||Call number||Copy||Status||Notes||Date due||Barcode||Item holds|
|Book||Main library||Non-fiction||TH BOW 1994 (Browse shelf)||1||Available||Donated by Terence Maloon||2014-1522|
Includes bibliographical references (pages -159) and index.
Introduction / Michael Payne -- 1. Psychoanalysis and the future of theory -- 2. Freud and art, or what will Michaelangelo's Moses do next? -- 3. Comparison between the arts: a psychoanalytic view -- 4. Freud and the European consciousness -- Lacan after the fall: an interview with Malcolm Bowie -- Malcolm Bowie: a selected bibliography, 1970-1993.
Malcolm Bowie is already well known as a writer who has made "theory" and "criticism" intelligible to each other in new ways. In this new collection he examines the meanings that psychoanalysis has ascribed to the tense and the devices by which later Lacan completes and complexifies Freud's discussions of temporality. "What kind of future can psychoanalysis have when it talks about futurity in this fashion?" In answering this question Malcolm Bowie focuses on an exemplary moment of crisis in the history of psychoanalytic thought. He challenges some of the fundamental Freudian assumptions about temporality of discourse and draws attention to a whole new range of opportunities that a "future-conscious" psychoanalysis might offer critics and theorists of other intellectual persuasions.Bowie calls for a new openness towards art among psychoanalytic theorists, drawing his examples from a wide variety of artistic practices. Musicians (Mozart, Mahler, Schoenberg and Faure), visual artists (Michelangelo, Leonardo, Tiepolo and Matisse) and writers (Goethe, Proust and Svevo) are all placed in an illuminating two-way relationship with the writings of Freud.-- from Bookdepository