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Art in theory, 1900-2000 : an anthology of changing ideas /

by Harrison, Charles [editor.]; Wood, Paul [editor.].
Type: materialTypeLabelBookPublisher: Malden, MA : Blackwell Publishers, 2003Edition: New edition.Description: xxvii, 1258 pages ; 25 cm.ISBN: 9780631227076 (hbk. : alk. paper); 9780631227083 (pbk. : alk. paper); 0631227075 (hbk. : alk. paper); 0631227083 (pbk. : alk. paper).Uniform titles: Art in theory, 1900-1990.Subject(s): Art -- Philosophy | Art, Modern -- 20th century -- Philosophy
Partial contents:
1. The legacy of symbolism 2. The idea of the modern world 3. Rationalization and transformation 4. Freedom, responsibility and power 5. The individual and the social 6. The moment of modernism 7. Institutions and objections 8. Ideas of the postmodern.
Summary: These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography. List(s) this item appears in: Art History & Theory 1.2 | Contemporary Studio Practice 2.1 | Honours Research Methods 1.2 | Painting 2.5: Non-Representational Process and Technique | Painting 2.6: Non Representational Concept and Composition | Sculpture 2.4 – Objects and Invention
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Item type Location Collection Call number Copy Status Date due Barcode Item holds
High Demand High Demand High demand Non-fiction TH HAR 2003A (Browse shelf) 1 Available 2014-1464
High Demand High Demand High demand Non-fiction TH HAR 2003B (Browse shelf) 2 Available 2014-1465
Total holds: 0

Revised edition of Art in theory, 1900-1990. published 1992.

Includes bibliographical references and index.

1. The legacy of symbolism 2. The idea of the modern world 3. Rationalization and transformation 4. Freedom, responsibility and power 5. The individual and the social 6. The moment of modernism 7. Institutions and objections 8. Ideas of the postmodern.

These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.

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