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Art in theory, 1900-1990 : an anthology of changing ideas /

by Harrison, Charles; Wood, Paul.
Type: materialTypeLabelBookPublisher: Oxford, UK ; Cambridge, Mass., USA : Blackwell, 1993Description: xxv, 1189 p. : ill. ; 24 cm.ISBN: 0631165746 (hb : acid-free paper); 0631165754 (pb : acid-free paper).Subject(s): Art, Modern -- 20th century -- Philosophy | Art, Modern -- 20th century -- Philosophy
Contents:
I. The Legacy of Symbolism. A. Classicism and Originality. B. Expression and the Primitive -- II. The Idea of the Modern World. A. Modernity. B. Cubism -- III. Rationalization and Transformation. A. Neo-Classicism and the Call to Order. B. Dissent and Disorder. C. Abstraction and Form. D. Utility and Construction -- IV. Freedom, Responsibility and Power. A. The Modern as Ideal. B. Realism as Figuration. C. Realism as Critique. D. Modernism as Critique -- V. The Individual and the Social. A. The American Avant-Garde. B. Individualism in Europe. C. Art and Society -- VI. Modernization and Modernism. A. Art and Modern Life. B. Modernist Art -- VII. Institutions and Objections. A. Objecthood and Reductivism. B. Attitudes to Form. C. Political Aspects. D. Critical Revisions -- VIII. Ideas of the Postmodern. A. The Condition of History. B. The Critique of Originality. C. Figures of Difference.
List(s) this item appears in: Art History and Theory 2.1
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Item type Location Collection Call number Copy Status Notes Date due Barcode Item holds
Book Book
Main library
Non-fiction TH 101 (Browse shelf) 1 Lost 2014-1421
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Non-fiction TH HAR 1992 (Browse shelf) 2 Available 2014-1598
High Demand High Demand High demand Non-fiction TH HAR 1992B (Browse shelf) 2 Available Donated by Rob Gutteridge 2014-3009
Total holds: 0

First published: 1992.

Includes index.

Includes bibliographical references (p. [1129]-1154) and index.

I. The Legacy of Symbolism. A. Classicism and Originality. B. Expression and the Primitive -- II. The Idea of the Modern World. A. Modernity. B. Cubism -- III. Rationalization and Transformation. A. Neo-Classicism and the Call to Order. B. Dissent and Disorder. C. Abstraction and Form. D. Utility and Construction -- IV. Freedom, Responsibility and Power. A. The Modern as Ideal. B. Realism as Figuration. C. Realism as Critique. D. Modernism as Critique -- V. The Individual and the Social. A. The American Avant-Garde. B. Individualism in Europe. C. Art and Society -- VI. Modernization and Modernism. A. Art and Modern Life. B. Modernist Art -- VII. Institutions and Objections. A. Objecthood and Reductivism. B. Attitudes to Form. C. Political Aspects. D. Critical Revisions -- VIII. Ideas of the Postmodern. A. The Condition of History. B. The Critique of Originality. C. Figures of Difference.

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