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Seeing through paintings : physical examination in art historical studies /

by Kirsh, Andrea; Levenson, Rustin S.
Type: materialTypeLabelBookSeries: Materials and meaning in the fine arts: v. 1.Publisher: New Haven ; London : Yale University Press, 2000Description: xvi, 328 p. : ill. (some col.), ports (some col.) ; 26 cm.ISBN: 0300094086; 0300080468 (alk. paper).Subject(s): Painting -- Expertising -- Technique | Peinture -- Expertise | Peinture européenne | Peinture américaine | Painting, American | Painting, European | Painting -- Expertising | Schilderkunst | Materialen | Techniek | Deskundigheid | Peinture -- Expertise -- Technique | Photographie scientifique | Maltechnik | Malerei | Künstlerisches Material | Painting -- Expertising | Painting, American | Painting, European | Westliche Welt
Contents:
Review: "This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition." "The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of twenty-five paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock."--BOOK JACKET. List(s) this item appears in: Painting 2.1 | Painting 2.2
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Item type Location Collection Call number Copy Status Date due Barcode Item holds
High Demand High Demand High demand Non-fiction PA KIR 2000 (Browse shelf) 1 Available 2018-0145
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Includes index.

Includes bibliographical references (p. 287-311) and index.

1. Introduction. -- 2. The support. -- 3. The ground and preparatory layers. -- 4. The paint layer. -- 5. The varnish layer. -- 6. Beyond the painting.

"This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition." "The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of twenty-five paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock."--BOOK JACKET.

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