| 000 -Leader |
|---|
| fixed length control field |
02485cam a2200421 i 4500 |
| 001 - Control Number |
|---|
| control field |
000052311366 |
| 003 - Control Number Identifier |
|---|
| control field |
AuCNLKIN |
| 005 - Date and Time of Latest Transaction |
|---|
| control field |
20150423105254.0 |
| 007 - Physical Description Fixed Field-General Information |
|---|
| fixed length control field |
ta |
| 008 - Fixed-Length Data Elements-General Information |
|---|
| fixed length control field |
131127s2014 mau e 000 1 eng d |
| 010 ## - Library of Congress Control Number |
|---|
| LC control number |
2013047425 |
| 015 ## - National Bibliography Number |
|---|
| National Bibliography Number |
GBB480261 |
| Source |
bnb |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
9780674365803 (hardback) |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
0674365801 (hardback) |
| 035 ## - |
|---|
| -- |
(OCoLC)864789873 |
| 040 ## - Cataloging Source |
|---|
| Original cataloging agency |
DLC |
| Description conventions |
rda |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
YDXCP |
| -- |
BTCTA |
| -- |
BDX |
| -- |
UKMGB |
| -- |
OCLCF |
| -- |
OCLCO |
| -- |
NJB |
| 042 ## - |
|---|
| -- |
pcc |
| 050 00 - Library of Congress Call Number |
|---|
| Classification number |
N7396.K45 |
| Item number |
A35 2014 |
| 082 00 - Dewey Decimal Classification Number |
|---|
| Classification number |
701 |
| Edition number |
23 |
| 240 10 - Uniform Title |
|---|
| Uniform Title |
Works. |
| Form subheading |
Selections |
| 100 1# - Main Entry-Personal Name |
|---|
| Personal Name |
Kentridge, William, |
| Dates associated with a name |
1955-, |
| Relator term |
author. |
| 245 10 - Title statement |
|---|
| Title |
Six drawing lessons / |
| Statement of responsibility, etc |
William Kentridge. |
| 264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts |
| -- |
London, England |
| Name of producer, publisher, distributor, manufacturer |
Harvard University Press, |
| Date of production, publication, distribution, manufacture |
2014. |
| 264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
|---|
| Date of production, publication, distribution, manufacture |
©2014 |
| 300 ## - Physical Description |
|---|
| Extent |
187 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - Content Type |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 336 ## - Content Type |
|---|
| Content Type Term |
still image |
| Content Type Code |
sti |
| Source |
rdacontent |
| 337 ## - Media Type |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - Carrier Type |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 490 1# - Series Statement |
|---|
| Series statement |
The Charles Eliot Norton lectures |
| 500 ## - General Note |
|---|
| General note |
Formerly CIP. |
| Institution to which field applies |
Uk |
| 505 0# - Formatted Contents Note |
|---|
| Formatted contents note |
In praise of shadows -- A brief history of colonial revolts -- Vertical thinking : a Johannesburg biography -- Practical epistemology : life in the studio -- In praise of mistranslation -- Anti-entropy. |
| 520 8# - Summary, Etc. |
|---|
| Summary, etc |
Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge's thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Drawing. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Art. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Aesthetics. |
| 830 #0 - Series Added Entry-Uniform Title |
|---|
| Uniform title |
Charles Eliot Norton lectures |
