Abstraction / (Record no. 7413)

000 -Leader
fixed length control field 03572cam a2200373 i 4500
001 - Control Number
control field 000049653721
003 - Control Number Identifier
control field AuCNLKIN
005 - Date and Time of Latest Transaction
control field 20141030142124.0
008 - Fixed-Length Data Elements-General Information
fixed length control field 120727t20132013mau b 001 0deng d
010 ## - Library of Congress Control Number
LC control number 2012030684
020 ## - International Standard Book Number
International Standard Book Number 9780262518369 (paperback : MIT Press)
020 ## - International Standard Book Number
International Standard Book Number 9780854882083 (paperback : Whitechapel Gallery)
035 ## -
-- (OCoLC)802183295
040 ## - Cataloging Source
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Description conventions rda
Modifying agency VU
042 ## -
-- pcc
050 00 - Library of Congress Call Number
Classification number N6494.A2
Item number A228 2013
082 00 - Dewey Decimal Classification Number
Classification number 709.04/052
Edition number 23
245 00 - Title statement
Title Abstraction /
Statement of responsibility, etc edited by Maria Lind.
260 ## - Publication, Distribution, Etc. (Imprint)
Place of publication, distribution, etc Cambridge, MA :
Name of publisher, distributor, etc MIT Press,
Date of publication, distribution, etc 2013.
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Place of production, publication, distribution, manufacture Cambridge, MA
Name of producer, publisher, distributor, manufacturer MIT Press,
Date of production, publication, distribution, manufacture 2013.
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Place of production, publication, distribution, manufacture ©2013
300 ## - Physical Description
Extent 239 pages ;
Dimensions 21 cm.
336 ## - Content Type
Content Type Term text
Content Type Code txt
Source rdacontent
337 ## - Media Type
Media Type Term unmediated
Media Type Code n
Source rdamedia
338 ## - Carrier Type
Carrier Type Term volume
Carrier Type Code nc
Source rdacarrier
490 1# - Series Statement
Series statement Whitechapel: documents of contemporary art
504 ## - Bibliography, Etc. Note
Bibliography, etc Includes bibliographical references (pages 228-230) and index.
505 0# - Formatted Contents Note
Formatted contents note Formal Abstraction -- Economic Abstraction -- Social Abstraction.
520 ## - Summary, Etc.
Summary, etc This anthology reconsiders crucial aspects of abstraction's resurgence in contemporary art, exploring three equally significant strategies explored in current practice: formal abstraction, economic abstraction, and social abstraction. In the 1960s, movements as diverse as Latin American neo-concretism, op art and eccentric abstraction disrupted the homogeneity, universality, and rationality associated with abstraction. These modes of abstraction opened up new forms of engagement with the phenomenal world as well as the possibility of diverse readings of the same forms, ranging from formalist and transcendental to socio-economic and conceptual. In the 1980s, the writings of Peter Halley, Fredric Jameson, and others considered an increasingly abstracted world in terms of its economic, social, and political conditions -- all of which were increasingly manifested through abstract codes or sites of style. Such economic abstraction is primarily addressed in art through subject or theme, but Deleuze and Guattari's notion of art as abstract machine opens up possibilities for art's role in the construction of a new kind of social reality. In more recent art, a third strand of abstraction emerges: a form of social abstraction centered on the strategy of withdrawal. Social abstraction implies stepping aside, a movement away from the mainstream, suggesting the possibilities for art to maneuver within self-organized, withdrawn initiatives in the field of cultural production. Artists surveyed include: Lee Bontecou, Louise Bourgeois, Amilcar de Castro, Paul Czanne, Lygia Clark, Kajsa Dahlberg, Stephan Dillemuth, Marcel Duchamp, Gardar Eide Einarsson, Gnther Frg, Liam Gillick, Ferreira Gullar, Jean Hlion, Eva Hesse, Jakob Jakobsen, Jasper Johns, Donald Judd, Wassily Kandinsky, Sol LeWitt, Piet Mondrian, Bruce Nauman, Hlio Oiticica, Blinky Palermo, Lygia Pape, Mai-Thu Perret, Jackson Pollock, Tobias Rehberger, Bridget Riley, Emily Roysden, Lucas Samaras, Julian Stanczak, Frank Stella, Hito Steyerl, Theo van DoesburgWriters include: Alfred H. Barr Jr., Ina Blom, Lynne Cooke, Anthony Davies, Judi Freeman, Peter Halley, Brian Holmes, Joe Houston, Fredric Jameson, Lucy R. Lippard, Sven Ltticken, Nina M?ntmann, Gabriel Perez-Barreiro, Catherine Quloz, Gerald Raunig, Irit Rogoff, Meyer Schapiro, Kirk Varnedoe, Stephan Zepke.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Arts, Modern.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Abstract.
700 1# - Added Entry-Personal Name
Personal name Lind, Maria,
Dates associated with a name 1966-,
Relator term editor of compilation.
830 #0 - Series Added Entry-Uniform Title
Uniform title Documents of contemporary art series.
Holdings
Price effective from Permanent Location Date last seen Not for loan Date acquired Source of classification or shelving scheme Koha item type Lost status Withdrawn status Copy number Cost, replacement price Total Renewals Date last checked out Total Checkouts Collection code Damaged status Barcode Shelving location Current Location Full call number
2014-10-30Adelaide Central Art Library2019-11-29 2014-10-30 High Demand  126.6912019-11-2510Non-fiction 2014-3420High demandAdelaide Central Art LibraryTH LIN 2013