000 -Leader |
fixed length control field |
02596cam a2200517 i 4500 |
001 - Control Number |
control field |
000044172764 |
003 - Control Number Identifier |
control field |
AuCNLKIN |
005 - Date and Time of Latest Transaction |
control field |
20200522153430.0 |
008 - Fixed-Length Data Elements-General Information |
fixed length control field |
090429s2011 at a b 001 0 eng d |
010 ## - Library of Congress Control Number |
LC control number |
2011514924 |
015 ## - National Bibliography Number |
National Bibliography Number |
GBB102863 |
Source |
bnb |
016 ## - National Bibliographic Agency Control Number |
Record control number |
000044172764 |
Source |
AU |
020 ## - International Standard Book Number |
International Standard Book Number |
9780909952372 (pbk.) : |
Terms of availability |
$49.95 |
035 ## - |
-- |
(OCoLC)320478668 |
040 ## - Cataloging Source |
Original cataloging agency |
ANL |
Language of cataloging |
eng |
Modifying agency |
ANL |
-- |
ANG |
Description conventions |
rda |
042 ## - |
-- |
anuc |
043 ## - Geographic Area Code |
Geographic area code |
u-at--- |
050 00 - Library of Congress Call Number |
Classification number |
ND1460.A89 |
Item number |
H69 2011 |
082 04 - Dewey Decimal Classification Number |
Classification number |
709.94 |
Edition number |
22 |
245 10 - Title statement |
Title |
How Aborigines invented the idea of contemporary art : |
Remainder of title |
writings on Aboriginal contemporary art / |
Statement of responsibility, etc |
edited and introduced by Ian McLean. |
246 24 - Varying Form of Title |
Title proper/short title |
How Aborigines invented the idea of contemporary art : |
Remainder of title |
writings on Aboriginal contemporary art |
250 ## - Edition Statement |
Edition Statement |
1st ed. |
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
Place of production, publication, distribution, manufacture |
Brisbane ; |
Name of producer, publisher, distributor, manufacturer |
Institute of Modern Art : |
Date of production, publication, distribution, manufacture |
2011. |
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
Place of production, publication, distribution, manufacture |
Sydney : |
Name of producer, publisher, distributor, manufacturer |
Power Publications, |
Date of production, publication, distribution, manufacture |
2011. |
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
Date of production, publication, distribution, manufacture |
©2011. |
300 ## - Physical Description |
Extent |
359 pages : |
Other physical details |
colour illustrations ; |
Dimensions |
22 cm. |
336 ## - Content Type |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - Media Type |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - Carrier Type |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
490 1# - Series Statement |
Series statement |
Australian studies in art and art theory |
500 ## - General Note |
General note |
Cover title. |
504 ## - Bibliography, Etc. Note |
Bibliography, etc |
Includes bibliographical references and index. |
505 0# - Formatted Contents Note |
Title |
What the anthology does -- |
-- |
Aboriginal art and the artworld -- |
-- |
Becoming modern -- |
-- |
Zones of engagement -- |
-- |
Issues -- |
-- |
Futures -- |
-- |
How Aborigines invented the idea of contemporary art -- |
-- |
Map. |
520 ## - Summary, Etc. |
Summary, etc |
This is the first anthology to chronicle the global critical reception of Aboriginal art since the early 1980s, when the art world began to understand it as contemporary art. Featuring 96 authors-including art critics and historians, curators, artists, anthropologists, sociologists, philosophers and novelists-it conveys a diversity of thinking and approach. This highly anticipated anthology argues for a reevaluation of Aboriginal arts critical intervention into contemporary art since its seduction of the art world a quarter-century ago. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Indigenous studies collection. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Aboriginal Australian |
Chronological subdivision |
20th century. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Aboriginal Australian |
Chronological subdivision |
21st century. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Modern |
General subdivision |
Aboriginal Australian influences. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Aboriginal Australian |
General subdivision |
Influence. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Modern. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Modern |
General subdivision |
Primitive influences. |
650 #0 - Subject Added Entry-Topical Term |
Topical term or geographic name as entry element |
Art, Aboriginal Australian. |
700 1# - Added Entry-Personal Name |
Personal name |
McLean, Ian, |
Dates associated with a name |
1952-, |
Relator term |
editor |
710 1# - Added Entry-Corporate Name |
Corporate name or jurisdiction name as entry element |
Institute of Modern Art (Brisbane, Qld.) |
830 #0 - Series Added Entry-Uniform Title |
Uniform title |
Australian studies in art and art theory. |