| 000 -Leader |
|---|
| fixed length control field |
02500cmm a22004572 b4500 |
| 001 - Control Number |
|---|
| control field |
000024216795 |
| 003 - Control Number Identifier |
|---|
| control field |
AuCNLKIN |
| 005 - Date and Time of Latest Transaction |
|---|
| control field |
20200406144222.0 |
| 007 - Physical Description Fixed Field-General Information |
|---|
| fixed length control field |
cr cn ---mpcbr |
| 008 - Fixed-Length Data Elements-General Information |
|---|
| fixed length control field |
021028s2003 mau | eng d |
| 010 ## - Library of Congress Control Number |
|---|
| LC control number |
2002038061 |
| 015 ## - National Bibliography Number |
|---|
| National Bibliography Number |
GBA595810 |
| Source |
bnb |
| 016 7# - National Bibliographic Agency Control Number |
|---|
| Record control number |
007140702 |
| Source |
Uk |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
9780262025393 |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
9780262524421 (pbk. 2005) |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
0262025396 |
| 020 ## - International Standard Book Number |
|---|
| International Standard Book Number |
0262524422 (pbk. 2005) |
| 024 8# - Other Standard Identifier |
|---|
| Standard number or code |
99806773177 |
| 035 ## - |
|---|
| -- |
(OCoLC)51009285 |
| 040 ## - Cataloging Source |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OrLoB-B |
| -- |
DLC |
| -- |
NAVC |
| 042 ## - |
|---|
| -- |
pcc |
| 050 00 - Library of Congress Call Number |
|---|
| Classification number |
N8580 |
| Item number |
.B87 2003 |
| 082 00 - Dewey Decimal Classification Number |
|---|
| Classification number |
709/.04/5 |
| Edition number |
22 |
| 084 ## - |
|---|
| -- |
20.06 |
| -- |
bcl |
| 100 1# - Main Entry-Personal Name |
|---|
| Personal Name |
Buskirk, Martha, |
| Relator term |
author. |
| 245 14 - Title statement |
|---|
| Title |
The contingent object of contemporary art / |
| Statement of responsibility, etc |
Martha Buskirk. |
| 260 ## - Publication, Distribution, Etc. (Imprint) |
|---|
| Place of publication, distribution, etc |
Cambridge, Mass. : |
| Name of publisher, distributor, etc |
MIT Press, |
| Date of publication, distribution, etc |
c2003. |
| 264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts : |
| Name of producer, publisher, distributor, manufacturer |
MIT Press, |
| Date of production, publication, distribution, manufacture |
[2003] |
| 264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice |
|---|
| Date of production, publication, distribution, manufacture |
©2003. |
| 300 ## - Physical Description |
|---|
| Extent |
307 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. |
| 336 ## - Content Type |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - Media Type |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - Carrier Type |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier =500 \\ |
| Carrier Type Term |
First MIT Press paperback ed., 2005. |
| 504 ## - Bibliography, Etc. Note |
|---|
| Bibliography, etc |
Includes bibliographical references (p. 287-295) and index. |
| 505 0# - Formatted Contents Note |
|---|
| Title |
Introduction -- |
| -- |
1. Authorship and authority -- |
| -- |
2. Original copies -- |
| -- |
3. Medium and materiality -- |
| -- |
4. Context as subject -- |
| -- |
5. Contingent objects. |
| 520 1# - Summary, Etc. |
|---|
| Summary, etc |
"In this book Martha Buskirk addresses the fact that since the early 1960s, almost everything can be and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent." "Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality."--BOOK JACKET. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Art |
| General subdivision |
Reproduction. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Art |
| General subdivision |
Attribution. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
| 650 #0 - Subject Added Entry-Topical Term |
|---|
| Topical term or geographic name as entry element |
Aesthetics, Modern |
| Chronological subdivision |
20th century. |
