But is it art? : (Record no. 1014)

000 -Leader
fixed length control field 02721cam a2200505 i 4500
001 - Control Number
control field 000022087147
003 - Control Number Identifier
control field AuCNLKIN
005 - Date and Time of Latest Transaction
control field 20190808150112.0
008 - Fixed-Length Data Elements-General Information
fixed length control field 001116s2001 enkaf b 001 0 eng d
010 ## - Library of Congress Control Number
LC control number 2001269145
015 ## - National Bibliography Number
National Bibliography Number GBA0-V1398
016 ## - National Bibliographic Agency Control Number
Record control number 000022087147
Source AU
020 ## - International Standard Book Number
International Standard Book Number 9780192100559
020 ## - International Standard Book Number
International Standard Book Number 9780192853677 (pbk.)
020 ## - International Standard Book Number
International Standard Book Number 0192100556
020 ## - International Standard Book Number
International Standard Book Number 0192853678 (pbk.)
035 ## -
-- (OCoLC)45439391
040 ## - Cataloging Source
Original cataloging agency BDS
Language of cataloging eng
Transcribing agency BDS
Modifying agency Uk
Description conventions rda
Modifying agency NAVC
042 ## -
-- lccopycat
050 #4 - Library of Congress Call Number
Classification number N71
Item number .F653 2001
050 00 - Library of Congress Call Number
Classification number N71
Item number .F653 2001
080 ## -
-- 709
082 04 - Dewey Decimal Classification Number
Classification number 701
Edition number 21
084 ## -
-- 20.07
-- bcl
100 1# - Main Entry-Personal Name
Personal Name Freeland, Cynthia A,
Relator term author.
245 10 - Title statement
Title But is it art? :
Remainder of title an introduction to art theory /
Statement of responsibility, etc Cynthia Freeland.
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Place of production, publication, distribution, manufacture Oxford ;
-- New York :
Name of producer, publisher, distributor, manufacturer Oxford University Press,
Date of production, publication, distribution, manufacture 2001.
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Place of production, publication, distribution, manufacture Oxford :
Name of producer, publisher, distributor, manufacturer Oxford University Press,
Date of production, publication, distribution, manufacture 2001.
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Date of production, publication, distribution, manufacture ©2001.
300 ## - Physical Description
Extent xxi, 231 pages, 8 unnumbered pages of plates :
Other physical details illustrations (some color) ;
Dimensions 18 cm.
336 ## - Content Type
Content Type Term text
Source rdacontent
337 ## - Media Type
Media Type Term unmediated
Media Type Code n
Source rdamedia
338 ## - Carrier Type
Carrier Type Term volume
Source rdacarrier
500 ## - General Note
General note Includes index.
504 ## - Bibliography, Etc. Note
Bibliography, etc Includes bibliographical references (pages 217-221) and index.
505 0# - Formatted Contents Note
Formatted contents note Introduction -- Blood and beauty -- Paradigms and purposes -- Cultural crossings -- Money, markets, museums -- Gender, genius, and Guerrilla Girls -- Cognition, creation, comprehension -- Digitizing and diseminating -- Conclusion.
520 1# - Summary, Etc.
Summary, etc "In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples." "She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art." "This clear, provocative book engages with the big debates surrounding our responses to art and will prove an invaluable introduction to anyone interested in thinking about art."--BOOK JACKET.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art criticism.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art and society.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Aesthetics.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art
General subdivision Philosophy.
856 42 - Electronic Location and Access
Materials specified Publisher description
Uniform Resource Identifier http://www.loc.gov/catdir/enhancements/fy0638/2001269145-d.html
856 41 - Electronic Location and Access
Materials specified Table of contents only
Uniform Resource Identifier http://www.loc.gov/catdir/enhancements/fy0638/2001269145-t.html
856 42 - Electronic Location and Access
Materials specified Contributor biographical information
Uniform Resource Identifier http://catdir.loc.gov/catdir/enhancements/fy0724/2001269145-b.html
Holdings
Price effective from Permanent Location Date last seen Not for loan Date acquired Source of classification or shelving scheme Koha item type Lost status Withdrawn status Copy number Collection code Damaged status Barcode Shelving location Current Location Public note Full call number
2013-11-17Adelaide Central Art Library2019-10-25 2013-11-17 Book  1Non-fiction 2014-1573Main libraryAdelaide Central Art LibraryDonated by Margaret PiperTH FRE 2001