Contemporary art : (Record no. 10109)

000 -Leader
fixed length control field 06379cam a2200649 a 4500
001 - Control Number
control field 000047497793
003 - Control Number Identifier
control field AuCNLKIN
005 - Date and Time of Latest Transaction
control field 20180201130647.0
007 - Physical Description Fixed Field-General Information
fixed length control field ta
008 - Fixed-Length Data Elements-General Information
fixed length control field 110811s2011 enka b 001 0 eng d
015 ## - National Bibliography Number
National Bibliography Number GBB144235
Source bnb
016 7# - National Bibliographic Agency Control Number
Record control number 015786174
Source Uk
020 ## - International Standard Book Number
International Standard Book Number 9781856697163
035 ## -
-- (OCoLC)721925541
037 ## - Source of Acquisition
Stock number 82658
Source of stock number/acquisition TVG
040 ## - Cataloging Source
Original cataloging agency SAA
Language of cataloging eng
Modifying agency ANL
042 ## -
-- anuc
050 #4 - Library of Congress Call Number
Classification number N6497
Item number .S658 2011
082 04 - Dewey Decimal Classification Number
Classification number 709.05
Edition number 23
100 1# - Main Entry-Personal Name
Personal Name Smith, Terry
Fuller form of name (Terence Edwin),
Dates associated with a name 1944-
245 10 - Title statement
Title Contemporary art :
Remainder of title world currents /
Statement of responsibility, etc Terry Smith.
260 ## - Publication, Distribution, Etc. (Imprint)
Place of publication, distribution, etc London :
Name of publisher, distributor, etc Laurence King Publishing,
Date of publication, distribution, etc 2011.
264 #1 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Place of production, publication, distribution, manufacture London, United Kingdom
Name of producer, publisher, distributor, manufacturer Laurence King Publishing Ltd,
Date of production, publication, distribution, manufacture 2011.
264 #4 - Production, Publication, Distribution, Manufacture, and Copyright Notice
Date of production, publication, distribution, manufacture ©2011
300 ## - Physical Description
Extent 348 p. :
Other physical details col. ill. ;
Dimensions 30 cm.
336 ## - Content Type
Content Type Term still image
Content Type Code sti
Source rdacontent
336 ## - Content Type
Content Type Term text
Content Type Code txt
Source rdacontent
337 ## - Media Type
Media Type Term unmediated
Media Type Code n
Source rdamedia
338 ## - Carrier Type
Carrier Type Term volume
Carrier Type Code nc
Source rdacarrier
500 ## - General Note
General note Formerly CIP.
Institution to which field applies Uk
504 ## - Bibliography, Etc. Note
Bibliography, etc Includes bibliographical references (p. 334-339), selected contemporary art websites, and index.
505 0# - Formatted Contents Note
Formatted contents note Machine generated contents note: I.BECOMING CONTEMPORARY IN EUROAMERICA -- 1.Late Modern Art Becomes Contemporary -- Transformations in Late Modern Art: Its Contemporary Aspects -- Situationism, Gutai, Happenings; Art into Life/Life into Art -- Pop: The Social Mirror, Refracted -- The Object Materialized: Minimalism -- Earthworks: Extending Sculpture's Field -- Conceptualism: Reconceiving Art -- Political Interventions: Direct Democracy, Body, Self, Sexuality -- 2.The Contemporary Art Boom -- The Postmodern Return to Figuration -- The Two Germanys -- Trauma of the Victimized -- The Italian Transavantgarde -- The American Scene Again -- British Schools -- Critical Postmodernism -- Retro-Sensationalist Art -- Remodernism in Sculpture and Photography -- Big Photography -- Spectacle Architecture as Contemporary Art -- Contemporary Art Becomes a Style -- II.THE TRANSNATIONAL TRANSITION -- Introduction -- 3.Russia and (East Of) Europe -- Russia -- Art under Late Socialism --
505 0# - Formatted Contents Note
Formatted contents note Contents note continued: Russian Art Becomes Contemporary -- Late Cold War Modern Art Elsewhere (East of) Europe -- Parodies of Official Imagery -- Performance Art Tests the Limits -- Czechoslovakia -- Hungary -- The Baltic Nations -- After the Fall: Post-Communist Art? -- Romania -- The Breakup of Yugoslavia -- Beyond "Eastern" and "Central" versus "Western" Europe -- Translating the European Ideal -- 4.South and Central America, the Caribbean -- South America -- Argentina -- Brazil -- Colombia -- Chile -- Mexico -- Cuba -- Elsewhere in the Caribbean -- Seeing the World's Currents -- 5.China and East Asia -- China -- Modern Chinese Art -- Contemporary Chinese Art -- Taiwan -- Japan -- Experimental Art in the 1950s to 1970s -- Contemporary Art -- Korea -- 6.India, South and Southeast Asia -- India -- Pakistan -- Thailand -- Indonesia -- The Philippines -- 7.Oceania -- Papua New Guinea -- Aotearoa/New Zealand -- Australia -- 8.Africa -- Modern Art in Africa --
505 0# - Formatted Contents Note
Formatted contents note Contents note continued: South Africa under Apartheid -- Popular Painting and Sculpture in Central Africa -- Commercial to Art Photography -- South Africa After Apartheid -- African Art Enters the International Circuit -- 9.West Asia -- Iraq -- Jordan -- Iran -- Palestine -- Israel -- From Hurufiyah to Contemporary Cosmopolitanism -- III.CONTEMPORARY CONCERNS -- Introduction -- 10.World Pictures; Making Art Politically -- One World -- Global Networks -- Intervening Critically -- Profiles in Shadowland -- Bare Labor -- 11.Climate Change: Art and Ecology -- Art and Environmentalism -- Crisis and Catastrophe -- Collective Actions, Sustainable Solutions -- Designs for Living -- Experimental Geography -- Imaging the Future Dystopia -- Eco-Chic, Greenwashing, Spectacle -- 12.Social Media: Affects of Time -- Mediation, Immersion, Intervention, Agency -- To Be with Time Is All We Ask -- 13.Coda: Permanent Transition.
520 ## - Summary, Etc.
Summary, etc Contemporary Art: World Currents argues that, in recent decades, a worldwide shift from modern to contemporary art has occurred. This has not, however, been a uniform change from one phase or style in the history of art to another. Rather, artists everywhere have embraced the contemporary worlds diversity and complexity. The book is a genuinely worldwide survey of art from the 1960s to the present, which emphasizes its relationships to all aspects of contemporary experiencewhat the author calls arts contemporaneity. Examining the changes as they occurred, Terry Smith offers the first historical account of the developments that constitute the key currents in world contemporary art. Artists well known in the cultural centres of Europe and the US, and those prominent on the biennale circuit, are placed within the art scenes from which they came. The work of artists whose reputations are primarily local is fully acknowledged. Ranging across Asia, East and Central Europe, the Americas and the Caribbean, Oceania and Africa, and drawing upon local histories and research, this book breaks new ground in tracing how modern, traditional and indigenous art became contemporary in each cultural region of the world. Taking a comparative perspective, it relates these developments to worldwide changes in art and culture, highlighting the main concerns of contemporary artists today. Diversity the contemporaneity of difference not a convergence towards sameness, Smith argues, is what makes today's art contemporary.
521 ## - Target Audience Note
Target audience note Tertiary/Undergraduate.
521 ## - Target Audience Note
Target audience note Postgraduate.
521 ## - Target Audience Note
Target audience note General.
648 #7 - Subject Added Entry-Chronological Term
Chronological term 1900 - 2099
Source of heading or term fast
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Australian.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Oceanian.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Papua New Guinean.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, New Zealand.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Maori.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Aboriginal Australian.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Modern
Chronological subdivision 20th century
General subdivision Themes, motives.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Modern
Chronological subdivision 21st century
General subdivision Themes, motives.
650 #7 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Modern.
Source of heading or term fast
650 #7 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Konst
General subdivision historia
Chronological subdivision 1900-talet.
Source of heading or term sao
650 #7 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Konst
General subdivision historia
Chronological subdivision 2000-talet.
Source of heading or term sao
650 04 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Sanat, Modern
Chronological subdivision 21. y.y.
650 04 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Sanat, Modern
Chronological subdivision 20. y.y.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Modern
Chronological subdivision 20th century.
650 #0 - Subject Added Entry-Topical Term
Topical term or geographic name as entry element Art, Modern
Chronological subdivision 21st century.
653 ## - Index Term-Uncontrolled
Uncontrolled term Australian
720 ## - Added Entry-Uncontrolled Name
Name Smith, Terry
Holdings
Price effective from Permanent Location Date last seen Not for loan Date acquired Source of classification or shelving scheme Koha item type Lost status Withdrawn status Copy number Cost, replacement price Total Renewals Date last checked out Total Checkouts Collection code Damaged status Barcode Shelving location Current Location Full call number
2018-02-01Adelaide Central Art Library2020-07-03 2018-02-01 High Demand  146.3812020-04-233Non-fiction 2018-0024High demandAdelaide Central Art LibraryPE CON 2011